rico puestel is a phenomenon and currently one of the best artists around when it comes to solid, discerning techno. thats techno that takes no detours, doesnt hide behind vocal samples or need unnecessary, pseudo-intelligent tinkering to get the listeners attention. puestels two current cocoon contributions equity and immunised are strongly reminiscent of caravel, which he also released on cocoon recordings almost exactly a year ago. the mini breaks and prolonged dramatic pauses are all pieces in the puzzle of puestels arrangement and together with the hypnotic beats and constantly radiating synths and effects, they make up his own interpretation of techno sound. it buzzes, it shines and with the right pa its exactly the type of vibe that help us forget the daily grind of dance music madness! that ubiquitous let the bass kick sample hasnt felt so at home for a long time!

“sincerely, s. love x” (the kiss is meant to be pronounced) is simon’s sophomore solo album (his 2015 debut “it seemed like a good idea at the time” was released on the brilliant, now sadly defunct fortuna pop label) and it features at least ten hits. proper pop hits, with elo harmonies, spectoresque production, strings and trumpets, the whole shebang. all recorded over the last two years in london, england. big city pop! the vinyl release includes a cd-copy of the album.

limitierte vinyl-lp inklusive downloadcode.

a collection of classics from the disco masters on vinyl lp.

offical re issue 2018 ultra-rare proto-house vibes from chicago courtesy of still music. this one s long been coveted by followers of the jacking beat, the apostles of wbmx. produced by mike macharello & duane thamm jr this is a truly unique record and one that is very hard to obtain. if you dig the earliest grooves from the windy city, or you have a passing interest in italo or freestyle then this is for you! a fully legit 12- reissue, taken from still music s recent, comprehensive overview of the let s dance label this is unmissable.

an ardent heart is a focused techno mini album that brings forward stefan goldmann’s most dancefloor-centered material in a decade. the tracks push and pull relentlessly. despite their linear appeal, there is an intricately balanced interplay between the heavy-handed kicks, the bouncy bass accents and the sizzling, yet clear-cut details whipped up by the rallying drums. the peculiar, seemingly “vocalised” mode of synthesis is maybe the most unifying sonic characteristic of the six tracks and one coda. formant shaping, vowel filters and airstream perturbations let a wide range of sounding elements speak in the tongues of a cybernetic babylon. layered polymetric patterns perforate the aural plane with alien scripts. clearly structured, yet opaque messages that seem to have traveled for aeons emanate from the red-hot circuitry. they spill into a network of delays, channeled down into labyrinthine corridors, enveloped in electrostatic noise. most tracks build on chance patterns evoked with hardware sequencers and freeform modulation sources. the resulting synthetic systems are as cohesive as they exhibit vast internal variation and range. thus balancing simplicity and complexity right in the middle, the results are just as immediately gripping as they can feed sustained attention. a wide palette of distortion and overtones mark the contours of individual elements that seem to have near-physical qualities – as if there were metallic strings, thick membranes, a resonating sphere, all struck by electric mallets, caused to vibrate by mechanical bows and sung by silicone lips.

fat beats records is proud to present bakers dozen, an exclusive series that shines a light on the best minds of instrumental hip-hop, ambient, and electronic music. each installment gives one artist carte blanche to capture their signature sound. every volume’s limited vinyl pressing features one artist and twelve tracks, and comes equipped with a 5x7inch postcard insert that features a photo of the artists workspace along with the equipment used in their music-making process. visually cohesive and packaged with the utmost attention to detail, baker’s dozen is a series that speaks up for artists whose craft renders voices superfluous, whose instrumentals alone suffice to make a statement. volume nine highlights the guelph, ontario producer elaquent, who breaks down his creative process below: “since the beginning, my philosophy has always been that perfection is boring, so despite all the changes that have occurred with my equipment and system, that main philosophy remains the same. in the beginning it was all about flipping samples with fl studio and just my computer keyboard, and over the years, i added the mpd and masterkey in order to be able to jam out drums live and play keys, which speeds up the workflow. i like the effects on the 404, and theres a lot of dope ways to integrate my ipad into it, but at the end of the day, it starts with a melody or sample, and i kinda just let the vibe take over.

sorcery, witchcraft, wizardry, necromancy, enchantment, the supernatural, occultism, black magic,voodoo, hoodoo, mojo, shamanism, these are just a few words that can describe the power of our home duo simple symmetry’s new ep, titled “beginners guide to magic”. sit back relax and let sasha & sergey to take you on a captivating trip to the temple of doom!

reissue of balearic gem spanglish movement from little known band hot pepper! originally released as a private pressing in 1978 and featuring famous drummer jesus munoz tilico, a giant musician who appeared on countless recordings and accompanied famous figures like paul mauriat and carl tjader among many others. four superb long tracks including the cosmic underground club classic ritual song. hot pepper was a studio project created by mexican drummer / producer /arranger jesus munoz tilico who in the late 70s decided to record an album in a disco-funk vein, helped by some of his friends who were top session musicians. “spanglish movement” was the result, written and produced by “tilico”, released in 1978 as a tiny private edition housed in a fabulous afro cover. being tilico an enormous drummer, you can expect here lots of heavy drums, congas and percussion, surrounded by crazy space synths, male-female vocals, latin horns, afro touches and occasional fuzz guitar.

long time friends (since flex vienna 95) patrick and luke joined forces on blumoog music and came up with this crafty and dynamic four tracker ep. patrick pulsinger opens the project on the a with two ingenious and uplifting tracks reminiscent of his old ‘sluts’n’strings &909’ days with an acidic twist. 25 years have gone by since patrick pulsinger made history and put vienna on the map by founding techno avant-garde label cheap records and with productions like ‘dogmatic sequences’ on disko b and pioneering sequential- minimal-techno soon after with the huge lp ‘porno’ also on disko b. on the flip side luke m.r.e.u.x is consistent with his fine style. dry percussions and rubbery bass in b1 ‘cerebral fix’. a darker approach in confession b2 with a relentless 5 minutes of techno trip that will not let you catch breath.

produced, arranged and mixed by &#150, dario fimiani, flavio cuva, giuseppe zanin, jamie lewis and tibor lörincz for u.m.m. records in the 1993 . 5 house/deep/happy vibe tracks...flash forward represses one of the most played record in the underground house scene of the 90s, five different high quality tracks for an ep that after 24 years its still an absolute gem. enjoy !

ltd coloured edition ... produced, arranged and mixed by &#150, dario fimiani, flavio cuva, giuseppe zanin, jamie lewis and tibor lörincz for u.m.m. records in the 1993 . 5 house/deep/happy vibe tracks...flash forward represses one of the most played record in the underground house scene of the 90s, five different high quality tracks for an ep that after 24 years its still an absolute gem. enjoy !

lph060-pack-a play / pause a1. let me jacq 0:15 1:30 volume a1. let me jacq a2. one more time a3. movin kinda funky a4. don t wanna stop a5. war funk feels b1. java harem b2. never say never b3. just wanna play b4. make me feel good b5. bk slice artist jacques renault title bk club beats, breaks & versions label let s play house catalogue lph060 format lp dealer price £5.50 release date 20/07/2018 territory worldwide genre deep housedisco zip download audio samples & images description three years ago, a long-overdue and much-anticipated debut album from let s play house co-head jacques renault finally hit shelves, and now, the follow-up effort, the sophomore swing, arrives. if zentrum was a sprawling and aspirant full-length, bk club beats, breaks & versions is an exacting and focused rejoinder, a powerful, punchy, and succinct exposition of renault s skills and fortes. it s a deep-dive into the movements that sucked him into club music and a celebration of the inspirations that fueled his ascendance to dj and producer in his own right. what we give you here is an album of originals that have been conceived, orchestrated, and stitched together to function as a classic renault peak-hour set—classic house sounds sandwiched between hip-hop breaks and disco licks, all glued into place with his trademark full-bodied, colorful, swinging drums. the a-side has a daytime glimmer and glisten to it, a sunniness that imparts it with a distinct top-down-crisscross-through-the-city flavor. the flip is just as pumped and uptempo, but it has a rounder bottom and feels murkier, steamier, and, by extension, more late-night.

harlem s legendary disco label queen constance has long been a cult favourite among fans of underground dance music for decades. one of many labels operating under the equally legendary p&p family of imprints queen constance was operated by one peter brown, a truly colossal figure in nyc s music scene, it s catalogue still fascinates music lovers to this day. covering a wide range of styles including gospel, early rap and disco the label s output continually finds it way into the playlists of respected dj s and selectors across the globe. licky & the dream lovers massive afro-disco groove african rock is the next in a fully licensed series of queen constance rarities to be repressed. licky seems to be yet another studio group put together by peter brown in order to explore different sounds and styles. this raucous piece of uptempo, blazing disco really does the business in the dance, a truly immense club record, which is not surprising considering brown is at the helm. ridiculous funk on this one. across 2 sides we are treated to 2 slightly different versions of the cut, both equally as good, you could literally put the needle on the record, let it spin and watch it do damage. this one is an essential, a truly sought after record that commands extremely high prices on the used market when it shows up, but rarity aside, it is an absolute bomb and deserves to be in any self-respecting disco jocks bag of tricks. this is a 100% legit reissue, made in conjunction with above board distribution and the demon music group, lovingly remastered with love by optimum mastering, bristol uk.

in the studio prototype 909 was a group that rarely agreed on a clear idea of exactly what they were trying to accomplish. the entire project was an experiment, and every time they hit record there was nothing better for them to do than to just try stuff. whenever it came time to put together an album they would go through what they had recently done and nd the tracks that seemed to fit together well, or that at least sounded like they were made by the same group. that left on the cutting room foor some really amazing worst that somehow just didnt fit their goals at the time. at schmer, we remember. p-909 leftovers have schmer written all over them. these four tracks were all recorded live in the studio in between their three studio albums 93-97. brenecki ( half of ontal ) provided his remix inspired by one of them. hyperdrive and -datafash- were recorded shortly after acid technology was released in 93. they come from the -lets make acid technology vol 2 approach-. that would have made a really cool record had they done it but they decided on making transistor rhythm instead. anoisenyc aka the tracs that dietrich hates is what you get when you let jason go nuts on a doepfer maq-16 ( they never made that mistake again ). bobo is possibly the most prototypical p-909 tracks ever: it took three guys making their own tracks simultaneously almost ignoring what the others were doing but somehow mixing them into a flow to make this one, but it all comes together nicely in the end. its amazing that they never released it before. you ve enjoyed the wait, now enjoy your new prototype 909 while it still is new!

erste reissue des 2001er albums -dread- des detroiter post-industrial/noise-trios wolf eyes (hanson records, american tapes, bulb records). ein freak-klassiker aus verzerrter elektronik, brodelndem dub und dystopischem proto-punk á la cabaret voltaire und suicide mit ausgeprägter us-midwest-sensibilität. 4 tracks zwischen 4-14 minuten, plus dem 21(!)-minütigen bonustrack -sandpapered eyes- als hidden track (cd) bzw. mp3-bonustrack (lp). lp mit download-code und doppelseitigem a2-faltposter.

shadows lengthen, the nights heat up, and flexi throws down the new piada vibes. like any italian dish the ingredients are simple and effective (let s say piadina romagnola)!

vinyl box-set limited to 500 copies + includes the compilation on cd - cocoon recordings presents: r! includes a set of 6x12 inch exclusive fluorescent vinyl records which glow in the dark and create a * magical * effect while played in club.

finally we are pleased to announce our tenth ep, which is for us a milestone and not by chance we chose and.rea, who has delivered four tracks with his style and an acid footprint. we do not want to add anything else and let his music speak.

very limited repress! god said, let there be a firmament in the midst of the waters, and let it divide the waters from the waters. and god made the firmament, and divided the waters which were under the firmament from the waters which were above the firmament: and it was so. and god called the firmament heaven. and there was evening and there was morning, a second day. this is the 2nd day of a 7 days journey.

australia based artist inkswel is widely known for his funk infused dance music that incorporates ingenious sample work and memorable vocal cuts. for the ninth installment of the pulp series the edible pyramid ep is a journey through the mind of the australian artist. the package includes a melancholic remix by no one else than long time champion of vinyl and red motorbike label boss eddie c.

richard searling’s music & memories from wigan casino 1973-1981 - the soundtrack to the book “setting the record straight”.

the strictly rhythm imprint is legendary and is instantly recognisable by connoisseurs worldwide. it s a label that has contributed time and time again to dance music culture across it s almost 30 year lifespan. countless classics passed through the nyc offices of mark finkelstein and gladys pizarro and this brand new strictly classics series looks to celebrate this cornerstone dance label and it s immense catalogue by going back to the archives and presenting some double-header action for diehard fans and newcomers alike. that s right, the proper mixes, reissued from source and remastered to the highest spec, each track spread across one side of a 12- for optimal sonic playback. what better to kick off this series of essentials than dj pierre s 1991 wild pitch mix of the mighty photon inc s anthemic generate power , a record that still smashes dance-floors across the globe to this very day, a true house classic that is the perfect opener for this new series. backed by george morel s equally influential and funky 1993 proto-uk garage groover let s groove you can see the quality control is set to high. back to back, strictly classics, nothing more, nothing less! remastered with love by optimal mastering, bristol from original master sources. made in conjunction with strictly rhythm 2018.

while the righteousness of blackness is at the heart of the rastafarian faith, this collection illustrates how black pride remained a central theme, if not the defining essence, at the very core of all the music created at studio one records.
black man’s pride is the striking new studio one collection of deep heavyweight reggae featuring horace andy, alton ellis, the gladiators, sugar minott, the heptones, freddie mcgregor, cedric brooks & more.
this new album is released as a heavyweight gatefold double-lp edition with download code included.

one carefully crafted floating tool to suspend the rat race, coming from the bucharest based duo live act soundopamine. moment ep is subtly combining warm house grooves with joyful & hypnotic minimal beats. let yourself be carried away with ease towards a sunny introspective of a soul mirror with a gentle emotion uplifter. take a moment for your inner self!

180 gram double vinyl with download code included.

the definitive best of compilation from the prince of darkness on 2x12 inch 180 gram vinyl. “memoirs of a madman” serves as a career spanning audio release featuring 17 of ozzy osbourne’s greatest hit singles remastered and compiled in one place for the first time in his career. “paranoid” was recorded live at roundhouse, london 2010 - previously unreleased.

banoffee pies records drop their third beats release samba del sol with clifford brown & jeen bassa ft. ella mae sueref - the album is influenced by carnival and latin sounds with hip hop drums and soul roots - meeting in middle ground as an expression of the production duos upbringing, johns heritage in mauritius and cliffords childhood in south america. partnered with ellas spanish language fluency and soft badhu acclaimed voice as previously heard on the single stop rewind credited by the like of gilles peterson and mr. scruff. the tracks were recorded on garageband by clifford brown and jeen bassa with 2 karaoke microphones, mixed in bath and later buried on a hard drive for over 6 years never to be heard again. sliding into the forgotten darkness of lost tracks and rediscovered in 2017. the production, originally just an instrumental, was then found and reignited, revamped with a vocal insert from the wonderful ella mae sueref. the 10 track album demonstrates a flurry of drums, latin inspired sampling, and mesmerizing vocals from start to finish. for the music and the lovers. living room jams made in smoke. banoffee xx in loving memory of anna sueref.

in 2015, something magical happened. we met a couple of talented young swedes named artur bra&#776,ndstro&#776,m and egil kahlbom who excelled at composing and producing these lighthearted, breezy disco-hued house tracks (or house- hued disco tracks, perhaps) that both fit the aesthetic and character of lph and brought something new into the fold. the result of that first encounter was marathons, a full-length album, their debut to the world, and now, two years later, we re back for the much-anticipated follow-up. rehearsal is a little briefer than its predecessor—it s five tracks—and has a markedly different tone, one that s less about dusty, sun-bleached samples and more about tightly-engineered and delicately-crafted songs. if the first effort was marked by its carefree naivete&#769,, the sophomore effort is, well, something a bit more advanced or, perhaps, rehearsed. what hasn t changed, though, is these guys ability to home in on grooves and coax something trasncednetally hooky, memorable out of them. the five tracks contained here are low-key in attitude but powerful and punchy in approach. they re uniquely juicy, nourishing numbers for mellow hours and fearlessly fun ditties for party hours. lots of love went into the lot of them, and we hope all s you feel when you let them wash over you is that. love

crosstown rebels deliver their next album in the form of a masterful offering from chic miniature. the cosmic duo, ernesto ferreyra and guillaume coutu dumont make a welcome return to the label with eight tracks of melodic bliss.

after the successful release on enough! music 010, with daniel dreier, guido schneider is back and presents his new solo project - “micro vocal ep” on enough! music ltd. two very detailed and subtle tracks with the name “micro vocal” and “supernova” let us hear his musical passion, which has been his passion since the 90’s.

more than ten years since he first emerged on skull disco, appleblim presents his debut album. the label he co-founded with shackleton was the first the world heard of his productions, but laurie osborne’s innate relationship with electronic music culture reaches back much further than those groundbreaking early days of dubstep. early days spent soaking up hardcore, jungle, techno and plenty more besides were fundamental foundations from which to spring into the then-unknown realms of sub-low half-step club music. at that time fwd>> and dmz were the church for this ritualistic sound, and appleblim was a regular fixture at both.

lou courtney recorded one of the all time great 70’s soul albums in 1974 with the jerry ragavoy co-produced ‘i’m in need of love’. the 10 great songs are expertly arranged by leon pendarvis backed with superb instrumentation and topped with wonderful expressive soulful vocal performances from lou courtney. the album includes the modern soul gems ‘what do you want me to do’, ‘i don’t want nobody else’, ‘i’m in need of love’ and ‘the common broken heart’. the philly inspired up tempo cuts ‘i will if you will’ and ‘somebody new is lovin on you’ plus there are some great ballads. essential for any 70’s soul fans.

released in solidarity with tigas anti-tech house crusade, a silent campaign fought everyday on the streets of your hometown, blaze finds russian crypto-whiz dimitri veimar still dancing with the rawer-than-the-rawest-dog electro thats brought him to the dizzying heights of the mid-tier crags of mt. turbo mountain. throwing his weight behind what some in the media are probably already calling tigas war was absolutely necessary following the events of a recent gig in moscow. veimar opened the night by playing no fewer than three tiga tracks, which anyone whos read tigas taboos can tell you is definitely a tiga taboo. deeply immersed in the practice of pouring his own mineral water, tiga ignored the hootin and hollerin of the vips crowding the dj booth (including dennis miller and diego maradona), and proceeded to play a set entirely comprised of recordings of every embarrassing thing veimar had ever said in his life. four hours later, an emotionally-shot veimar collapsed into tigas arms, with the magnanimous label boss whispering, i forgive you, dimitri into his ear. the release also features a broken techno remix from mysterious european producer florian kupfer, who made us sign a non-disclosure-agreement dictating that we can only describe him as mysterious, enigmatic, and/or european, so well have to let the music do the talking.

to celebrate two decades of skylax records, label head hardrock striker teams up with long time friend and co-worker dj sprinkles as skylax house explosion (s.h.e.). they present the second of three exclusive vinyl releases accompanying the mix cd for the 20 years compilation. all three eps will feature previously unreleased music curated by dj sprinkles and hardrock striker. “i think of one time in new york when they wouldn t let me into the loft, and i could hear they were actually playing one of my records on the dance floor at that very moment. i shit you not.” – dj sprinkles, midtown 120 blues (2008).

maeve kicks off their first label compilation heavy rotations vol 1 , covering all facets of the labels sound with tracks from mano le tough, isolée, oliver deutschmann, ed davenport, aera and more. comes as 3 lp in a specially designed cover consisting of 3 differently printed innersleves in a cut out outersleeve.

finally realized, here s one that was long on the dkr wish list. among the very finest moments from both artists, these brilliant interpolations of curtis classics have been unavailable too long. a mesmerizing rhythm adorned with the lovely sounds of hand drums, melodica and flute, mixed and dubbed to perfection by king tubby himself. this 12inch is a 6 track ep, with all four cuts as originally released on two separate 45s, plus two unreleased mixes straight off the original tapes. we like to think tubbs favored these cuts, as so many mixes were done! the dub titled super cool is, in our humble opinion, one of tubby s top 10 extant mixes. full disclosure, all tracks except super cool pt. 2 come from the original jamaican mastertapes. we suspect the pt. 2 mix was lost somewhere in nyc, but don t let that trouble you, this one should please all who have ears.

pharoah sanders is spiritual jazz, is devotional music, is the greatest living link between john coltrane, kamasi washington, and the next generation of this great lineage. his tenor sound, his singing voice, his compositions, and his recordings have already stood the test of time, in his time, endured, ever-aged so finely, and have now (in my opinion) surpassed critique. pharoah sanders is a giant, an innovator, colorful, prayerful, and worthy of all our attention, celebration, and enthusiastic, even ecstatic accolades!

front left records founder elad magdasi is next to appear on sinfols anagram label with four stirring cuts entitled liquid dreams this june. originally hailing from tel aviv, magdasi moved to berlin in 2013 where he has immersed himself in the scene whilst honing his craft in the studio. primarily a platform for his own productions, he launched front left records in 2015 and later debuted on anagrams phasing faces va in 2017 alongside anetha, d?vide and sinfol. he now returns to the label with a four track release of his own. liquid dreams opens the release with a mesmerizing spoken word sample, twinkling melodies and layered atmospherics whilst sporadic hats rattle throughout. thudding kicks, escalating synths and quivering bass then combine together in water damage before moving into the mesmerizing silver lights, which conjures up an otherworldly aesthetic courtesy of arpeggiated notes and crashing cymbals. lastly, never let go exhibits a cacophony of elements such as crystalline chords and a meandering bassline that generate a heightening suspense from start to finish.

repress in black sleeve.
scalameriya returns to perc trax after the success of 2016’s kepslok. since then he has continued to break new ground both as a solo artist and via his ongoing collaboration with italian producer vsk, playing across europe and releasing on a number of key labels whilst growing his own genesa imprint. now for his first release of 2018 he takes a giant leap forward both musically and technically with the three track statement of intent that is his hellzone megapunk ep. each track demonstrates new techniques and approaches not heard in his music before, from the 4/4 versus broken beat cage fight of the title track to crucible s rolling polyrhythms and the otherworldly processed vocals of the closing track. as the first perc trax release of the year this ep sets out everything the label seeks to achieve, a combination of sonic innovation that manages to keep attention fully focussed on the dance floor at all times.

2018 reissue of a 1999 hip-hop classic from mobb deep.

fans of the berlin based nils frahm are by now familiar with his beguiling live shows where more often than not fellow touring artists are encouraged to join frahm on stage – the likes of rachel grimes, rob lowe of balmorhea as well as label colleagues peter broderick and Ólafur arnalds have all obliged with fascinating results. it will come as no surprise then that nils frahm, an accomplished composer and producer who signed to erased tapes in 2009, has extended his collaborative live musings to encompass the recording studio, working for the first time with noted cellist and fellow berliner anne müller to produce 7fingers.
with their first collective release frahm and müller have built a world where modern classical and electronica collide creating an intoxicating and delicious collection of songs. primarily a pianist nils frahm provides evidence with 7fingers that he can effortlessly turn electric throwing in loops, samples and glitches to accompany and showcase müller on cello. anne müller, a renowned musician noted for her work with the wolf-ferrari-ensemble, phillip boa and recent tours with agnes obel, proves an amp musical partner for frahm.
the vinyl release includes a download code.

this is a masterpiece. beautiful, golden-era soul written by leon sylvers iii, produced by jerry butler and keg johnson. . the sylvers were a family from los angeles who were very successful during the 70’s and into the early 80’s, with chart hits – deep into pop-disco territory by then! – including ‘boogie fever’, ‘hot line’ and ‘high school dance’. this is the groups second album, from 1973, and is one of their strongest. opening with the awesome mid-tempo ‘we can make it if we try’ the record moves through funk, boogie and deep soul moods, finishing on a hazy, acapella version of the beatles ‘yesterday’.

deep house legends craig smith and andrew mcgroarty finally let their long running instrumental hip-hop project out into the world. inspired by their love of soul, atcq jay dilla, and vintage drum machines. the sense of funky detail woven by craig smith/signal sounds imagines the world of patchwork hip hop as made famous by no-id & dilla. incredibly soulful very warm with a bounce in the beat femi fem (young disciples) craig smith is a og. coming back to his roots of chopping samples and adding drums with an ear that has been trained and sensiblilized for the soulful boom bap 30 years in the making. classic golden era break ya neck shit. marcel vogel (lumberjacks in hell) dj support femi fem (young disciples), phil asher, lay-far, afronaut, thatmanmonks, marcel vogel (lumberjacks in hell)

if there is one album that we would take with us an a desert island its this one. the worst of krtm is one of the most refreshing records we have heard in a long time. perfectly blending industrial techno and hardcore to one unique beautiful/terrifying work of art. we could almost write a book on how unique and great this album is but lets just stop here and let the music do the talking. all hail krtm!

the 2nd release on his own elivity records is this 2 track 7&#8243,, with cuts found previously only off his hard to find lp. b-side is “let’s get down tonight-. two prime time slappers in proper e. live form. perfect release to dance to this spring.